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Christmas isn't about Jesus being born, it's about buying things. I pretty much have a finished idea at this point and let the others throw in their two cents. I generally start with a basic riff or harmony and go from there. While I think that most musicians can appreciate the end result of all the time and effort that goes into an album. Plus, annoying band members mess up recordings more than anything. Owning a studio helps. Now I have it set so anyone can just walk in and start recording immediately. The setup time was always the killer for me, and others, in the studio, so I wanted to eliminate that from my workflow.

Or do you like to head into a studio and let someone else get behind the board and worry about that headache so you can concentrate on the music and playing? I do like being the producer for others. You never know where a song will go sometimes. What was the recording of that material like? When and where was that recorded at? What kind of equipment was used? Was that a fun, pleasurable experience or more of a nerve-racking and difficult proposition for you all at the time? Things were changing in my life and I was making changes that I wanted. Like I said earlier, playing in three bands and touring nonstop gets a bit much and I felt like things were a bit out of control and getting away from what I wanted.

I also shot a video albumversion with my friend George. Actually, this album was finished before the band even existed, was named, put together or played a show. I recorded it myself with different friends over about a year. Really, just whoever I was grabbing randomly from the three bands, plus other musicians who were passing through the studio at the time, so it became kind of a big party album to me.

Can you talk a little bit about how you selected that material? Were those selected tracks from those Adcerley and tapes or more of a complete collection? If not all of the material was compiled on For All The Sad Bastards is there anyway you get a hold of that other material at this point? I have a huge unreleased back catalog and it just made sense to do it. I think it sums up my first ten years in Memphis pretty well. I felt like they never got a fair shake and ib just Sluts in adderley like the aderley time to take them off the shelf. Can you talk a little bit about the recording of the material for those singles?

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Ha-ha, as a matter of fact I do. I have a soft spot in my heart for sci-fi fan films. With the release of the two singles this past year in does The Switchblade Kid have any releases in the works or on the horizon that you can talk about? There are some things in the works. The Infinitesimal Records 7-inch is the next official release.

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