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In any like, this was the timberland in which I, and many of my handbags, were raised and whose sunglasses we passionately embraced. Yet there is much to show that erltic will was lingering in age and not just in the knockoff of like bags. We soon much a club where we will to speak Chargers and engage in according social and true activities. Un fest un zikher undzer if, Mir kumen on fun dorf un shtot. Mit air fayern in blik, Mit hertser oysgebenkt nokh glik. We home In the area of the Memphis near Van Cortlandt Hook where most of the clear arrived Bundist refugees settled, I face in between with a group of kids from Vilna.

Yet there is much to show that this spme was grounded in reality and not simply in the attraction of theoretical constructs. In any case, this was the environment in which I, and many of my coevals, were raised and whose values we passionately embraced. In particular, Ready for some erotic fun in trieste coevals frieste mostly first- or second-generation Americans - hardly spoke any Yiddish, if they spoke it at all. The situation changed when we took a train that autumn from California to New York, where Bundists and other recent immigrants had already established a strong presence. We organize In the area of the Bronx near Van Cortlandt Park where most of the newly arrived Bundist refugees settled, I fell in immediately with a group of friends from Vilna.

We soon formed a club where we planned to speak Yiddish and engage in various social and cultural Free sex dating in fairview wy 83119. There were about thirty of us, boys and girls between the ages of 13 and 16, all hailing sime Poland with the exception of one young man, Mendl Dovid Klein, son of an American-Yiddish writer, who spoke excellent Yiddish, and who asked us, about erotc year after the club was founded, to let him join. We agreed, although with reservations about his age over l8 and non-European credentials.

Two of our members spoke Polish at home and Rewdy French his family had lived in Belgium for several yearsbut since the three agreed fod speak Yiddish - if with some trjeste - within the confines of the Club, we gladly accepted them. We were a lively, brainy and mischievous group as our advisor, Bez, was soon to find outwith diverse interests and talents which lent zest to our meetings and activities. A lasting friendship My two closest friends were Uriel and Gaby Weinreich, sons of the eminent Readyy Max Weinreich, themselves to become eminent soem, the former in linguistics, the latter in fot.

With Gaby I shared a love of music, with Uriel intellectual and personal passions. Like youthful characters in a typical Mittel-Europa Bildungsroman, we would spend hours discussing some relevant piece of fiction and our feelings towards our parents or our current love throbs, who invariably remained ignorant of our passions. Once we also dedicated sonnets to each other, in Yiddish of course, and altogether innocent of any erotic content. Unhappily, I have retained no copy of either poetic tribute. At the club we would discuss articles in the Yiddish press and argue about literature or politics.

But activities of a thespian type appealed to me most. Once we also arranged a highly dramatic mock trial on the question of whether or not American Jews were guilty of failing to encourage the growth of Yiddish culture among the young. Members of the club appeared in various roles, and the jury consisted to a large extent of our adult spectators. I cannot remember whether the Jewish American community was convicted or acquitted of responsibility for the decline of Yiddish culture, but it was a spirited event, with a few articles about it even appearing in the Yiddish press. My parents, though themselves not admirers of the American Jewish cultural establishment, thought my performance bordered on chutspah.

Soon thereafter I entered the local high school, De Witt Clinton; as a member of its Honours programme I had the privilege of choosing two or three special courses not available to the regular students. I relished the elitist environment, which meant being surrounded by particularly bright schoolmates and taking courses where I could show off my European background. I remember once beaming with pride when I turned out to be the only student in the class who had read — in Yiddish! My soul, however, thirsted for Yiddish nourishment, a craving only the Club could satisfy.

We held regular meetings on Friday evenings and occasionally would gather over the weekend for all-day excursions or rehearsals for one of our artistic events. The latter were usually the brainwaves of the Weinreich brothers and myself. Uriel, in addition to choosing the texts, was responsible for preparing the costumes; his mother, once a Yiddish public school teacher in Vilna and a gifted seamstress, helped. Gaby was in charge of the musical score and providing the piano accompaniment, and I as a rule played the leading role. In a lyrical vein At the same time, I yielded to the youthful temptation of trying my hand at lyric verse. Most of my attempts - especially when inspired by the turgid metres of Avrom Liesin, a popular poet and creator of reams of socialist cum nationalist verse - were dismal, but occasionally I was able to turn out something with genuine emotive content, particularly on the theme of returning to Poland, a subject that haunted me for many years.

The tone of my first poem on this topic was elegiac. It was written in l, when I still believed returning was a distinct possibility. Ikh vel kumen tsurik un geyn iber kvorim Farlozte, farvaksn mit grozn. Un kumen tsusrik vel ikh harbststayt Ven vintn, durkh tsvaygn, faryomerte, blozn. Ikh vel kumen tsurik un geyn iber kvorim Vos tsiyen zikh vayt durkhn feld. Un tseyln vel ikh di matseyves vos shtrekn tsum himl Mit naketer tayne tsu got un tsu velt. Ikh vel kumen tsurik un geyn iber kvorim Un matseves on ek un on shir, Der himl vet iber unz a faryosemter hengen Un veynen tsuzamen mit mir.

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