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There were isolated experiments in conscription, briefly by Sweden in the 16th century, and more durably by Prussia in the midth century. But only with the Napoleonic wars did several European countries, starting with Francebegin to conscript their entire male populations. At first it was only for the duration of the wars, and in it came to an end. But as militarism gathered pace in the latter half of the nineteenth century, conscription in peacetime was introduced over much of the European continent. Military training for all men, for periods of up to three years, was seen as vital if a country was to be ready for war at any time.

No other quality of a man could ever compensate for his inadequacy as a soldier. This Internet dating crimes militarization of society reached its culmination in the two world wars, in which poets, artists and philosophers all joined enthusiastically in the greatest mass slaughter in human history. In the twentieth century total war became the central human experience for an entire world-wide civilization. The preparation for this monstrous immolation of human beings became part and parcel of the male character and the male identity to a degree not seen for over a thousand years.

To get an idea of what this means, if you made a list of the thirty greatest European and Western writers of every century for the past millennium, you would find that the twentieth century list had by far the biggest number who had seen war at first hand and been in the line of fire. You can take names almost at random: Which great creative writer of the 19th century actually Caught my bf on a dating website in a war? I can only think of Stendhal, Tolstoy, and Maupassant. In no century before ours can you find such a high proportion of the major writers of the age whose character and sense of manhood was forged on the field of battle.

The fact seems an obvious one as soon as you state it, but because it is obvious it has been ignored. We have taken for granted a fact which lies at the root of the fundamental distortion of human nature in the age we have just lived through. It is this unique culture of war and the type of man it produced that both the pacifist counter-culture of the late sixties and the feminists of the seventies rebelled against. The two rebellions were linked but also at cross purposes. The young men revolted because they did not want to be like their fathers, and rejected the whole cultural baggage of the warrior role and their gender destiny of brave cannon-fodder.

The rebellion of the young women was more complex. Seventies feminism was both revolt and the ultimate conformity: And ironically this adoption of the masculine character by women occurred like many imitations of the dominant class by the lower orders a Finds local sluts for sex in marden ash late, when the men were already trying to retreat from it. This time-lag produced one of the great mismatches of history: And so the stock-trading, yacht-racing golden boy in his BMW replaced the hippie drop-out. From then on the only males who remained committed to a change in the masculine character were the vocal homosexual minority.

When one sex tries to change its traditional image, it is limited in how far it can go by its need to remain attractive to the other one. The young men of the late sixties and seventies became long-haired, pacifist drop-outs with the approval and encouragement of the girls, who rewarded the new fashion with their sexual favours. The gay minority thus filled the vacuum after the Finds local sluts for sex in marden ash of the counter-culture and became the new noisy vanguard of change. But for the tiny homosexual minority to try to lead a re-alignment of the male Rencontre jeune mere celibataire as a whole was a doomed cause.

They had new role-models: He became another awful warning to conservative pundits of the perversions of political correctness and the decline of Western manhood. But the world wars were not the only factor in the masculinization of men in the last hundred or so years. The great wars were merely the climax of a movement already begun with the Western colonization of other parts of the world and the cult of the intrepid pioneer. Pioneering culture was essentially masculine culture, in much the same way as the army. Many gold-mining towns in America and Australia had almost no women, except for bar-room dancers and prostitutes.

The feminine values developed in eight hundred years of aristocratic European civilization were forgotten in the brutal struggle to survive on the frontier or in the outback. The civilization of high art, of sonnets and sonatas, was erased from the memory of the men on the wagon trains pushing through the territory of fierce Indian tribes. The sonnet and the sonata belong to a world where the feminine values of grace, wit, elegance, charm, compassion, gentleness have their honoured place. In the world of the wagon train only the masculine values of courage, strength, endurance, hardness and aggressiveness have any usefulness.

Femininity is the luxury of a prosperous, peaceful and secure society. When the Anglo-Saxons undertook the forceful settlement of other continents, they left all that behind them. Then when the New World imposed its imprint on the Old after its decisive intervention in the First World War, the ultra-masculine, pioneering culture came home to Europe and especially to Britain. The suddenness of the transformation of human types brought about by the Great War is not yet part of our mental picture of the century. A dandy like Oscar Wilde, feeding on the old aristocratic tradition of drawing-room wit and elegance, would never be possible again.

Women are more at home and respected in the world of Wilde than the world of Hemingway. If the measure of human worth is style, class and wit, women can display style, class and wit as well as any man. If the yardstick of human excellence is testosterone-charged physical courage, women will generally be seen as inferior specimens. This is the key to the unenviable position of American women throughout their history and of all Western women in the Americanized twentieth century. Condemned to inferiority by a one-sidedly masculine culture, they faced a dilemma.

Should they seek to emulate the dominant masculine values and prove that they too can be hard, tough and aggressive? Or should they accept a social ghettoization and continue to display the feminine qualities which society as a whole looks down on as secondary? And in so doing it sabotaged any attempt to move the general values of society back in a more feminine direction. But the path seventies feminism took in its masculinization of women had already been laid down by earlier generations. The First World War, by pushing women into the factories to replace the mobilized men, gave them new skills, new confidence, a new independence.

They were then expected to abandon all that when the war ended and return to a domestic role. The dislocation of sexual mores caused by both wars, as women began to see their traditional holding off till marriage as absurd and wasteful when their boyfriend might be killed the next week, had far-reaching consequences. The same thing was replayed after the Second World War, but with a time lag. The actual loss of life among Western Allied servicemen was lower in the Second World War than the First, but the time they spent absent from home was longer especially for the Americans. This caused a baby shortage during the war and a baby boom after the war, as husbands rejoined wives or men got married.

The effect of this came twenty years later as the baby boom women suddenly found a shortage of men in their normal target age-group. This has generally been two to three years older than themselves because of the earlier puberty of girls. A baby-boom woman, born in orwas looking for a man born in orand she had a hard job finding one in an age-group a quarter smaller than her own. Of course she could look for a mate among the men of her own age, but they were already well provided for by their normal matches two or three years younger who were even more numerous. The surplus baby boom women thus had to compete vigorously for a limited market of men.

The pill removed the fear of pregnancy even as a new cult of liberty removed the social stigma. The unprecedented wealth of sexual opportunity for men no longer obliged to pay for sexual variety meant in turn a new instability of marriage. And if women could no longer trust marriage to last, because the girl at the bus-stop was always likely to steal their husband, then the traditional division of marriage roles broke down. The contract whereby the man earned the money while the woman raised the kids no longer worked if the man was likely to be spirited away by another girl tomorrow.

So the woman had to earn too. And if she wanted financial independence, she had to earn not just a supplementary income but a real one, which meant demanding access to the top jobs. And so the path of feminist demands was laid down not just by ideology but by demography, and by the change in sexual mores it imposed. The dislocations of our society are striking proof that the mobilization of all the young men to fight total war is a disaster for civilization itself, with consequences that affect all future generations. Such are the themes of this book.

It explores the thesis of the masculine century: And we will see how much light this can throw upon some of the most confused and tangled ideological and social debates of our time. Some researchers claim that for the past thirty or forty years the male sperm count in the West has been steadily falling. One study indicated a decline of one third in sperm counts since The same trend applies, allegedly, to penis size, testosterone levels and various other physical yard-sticks of virility. While the methods of data collection and measurement have been questioned, there is a surprising consensus even among serious scientists that something like this may be happening.

But it may also be a simple swing of the pendulum. The Western male may be moving back to normality after a period of excessive masculinity, due to the militarization of the entire male population in the world wars. We are unfortunately unable to measure the sperm counts and testosterone levels of men of previous centuries to determine whether early twentieth century man was an average male, or was an excessively virile type which is now fading. This of course raises the question: And if it is variable, does it have a norm? And who is to say what this norm is? More specifically, what allows us to say that the highest sperm count is the most normal? Or even the best for the survival of the species?

Why should we lament its fall? High sperm counts and testosterone levels may appear to maximize survival chances for our race in the short term, but if these overly masculine, aggressive males make another catastrophic war with one another, it may well lessen survival chances in the long term. Perhaps a move back to a less masculine norm may be a way of improving relations between the sexes, stabilizing marriages, and revalorizing the feminine personality and the essential female task of child-bearing. All of that may well be more important to our survival than retaining high male sperm counts, given the enormous overkill in the amount of sperm we produce anyhow.

A single ejaculation, after all, produces enough sperm in the colourful phrase of one geneticist to impregnate the entire female population of Europe. This can be found in the sculptures of the past. Both classical and Renaissance sculptures depict rather small penises by modern standards and somewhat larger testicles in proportion. This is one of the most peculiar ideas academia has ever come up with. There would seem little reason for the Greeks to make a god like Dionysos, patron of orgies, appear chaste. Or a Satyr, the very incarnation of coarse sensuality.

Yet the statues of these figures, notably those of Praxiteles, have very small penises. Of course one could argue that these figures are depicted as slim, girlish-looking adolescents, and slim, girlish-looking adolescents generally have small penises even today. But why would the incredibly rugged, muscular Farnese Hercules, attributed to Lysippus, be deliberately given a small penis by the standards of his age? By our standards it is very small. Why would the Greeks and Romans, who did not consider sex a sin or nakedness shameful, sculpt pricks just as small as those of guilt-ridden Renaissance Christians?

Giant phallic symbols were carried in religious processions in classical times. Fertility gods like Priapus were shown with enormous erect members, which did not seem to shock classical sensibilities. Why would they have hesitated to depict other penises life-size? This notion of the deliberate artistic downsizing of the penis in the name of virtue sounds like an example of academics conjuring up theories out of the air to explain away inconvenient facts. You might as well argue that the naked breasts of Renaissance women were painted smaller than life-size to make them seem virtuous. But surely if an artist had wanted to make a woman seem virtuous he would have covered her breasts up.

The only safe conclusion is that penises were probably sculpted true to the size the artists actually saw on their models. There would seem, then, to be some physical evidence that penises like breasts in both ancient times and the Renaissance were smaller than they are today. Which means that if penis size is now shrinking, we are probably only getting back to the historic norm. In short, if there appears to be a decline in masculinity or virility by various measurements over the last two or three decades, we should be asking ourselves whether this represents a decline from an historic norm or a return to one.

Was the period of militarism of the two world wars a norm by which all later ages are to be measured, or a period of unusual and excessive masculinity from which we are only now returning to normal? The Western male of today quite simply looks less masculine than his father or his grandfather. This trend cannot be dismissed as mere fashion. Fashion reflects the norms and ideals of an age. But again, the question is: John Wayne or Leonardo Di Caprio? Clark Gable or Brad Pitt? Which face, with hair and clothes suitably adjusted, would fit in more inconspicuously into a Botticelli painting?

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Or one by Gay twerk on dick The answer should be obvious. The young men at the turn of the 21st century look far more like those of Finds local sluts for sex in marden ash centuries than do the men of the world war generations. We are returning only now to the age-old norm. If you go into any great art museum and look at the paintings of the men of the Renaissance or the seventeenth and eighteenth centuries, it is clear that their faces are quite different from the men of the mid-twentieth century.

This is not merely the effect of hair styles. There is a sensitivity, a sensuality, a childishness, even an effeminacy in the faces of Renaissance men that is totally absent from the battle-hardened faces of modern war veterans. The evolution towards the modern type of face is gradual but it can be traced. The square-jawed type is scarcely found in British portraits before the mid-nineteenth century. You begin to find it among prominent Victorians. Thomas Arnold, Thomas Carlyle, Robert Peel have strong faces already evocative of the twentieth century. The trend becomes accentuated in later Victorians like Gladstone, whose coarse, blunt features are in marked contrast to the slim, sensitive faces of his 18th century predecessors, the Earls of Chatham, or Lord Melbourne, thirty years his senior.

Among portraits of American presidents the square-jawed type comes a little earlier, perhaps reflecting the popular social origins and hard early lives of some of them. Ulysses Grant has a strong, modern, plebeian face suggestive both of his military career and his heavy drinking ; so does Zachary Taylor, a backwoods farm boy who spent forty years as a career soldier mostly fighting Indians. These qualities had become indispensable in order to survive the hellish experience of the trenches, which was now the fate marked out for men as a sex.

It is clear that more recent generations of men have gone back sah way towards the softer, more boyish, even more lical face of earlier times. Who knows slutss changes of this kind can be explained? Perhaps Finds local sluts for sex in marden ash is mardne types of physical and emotional experience people Fibds which partly determine physical appearance. Those European countries which till recently had long years of compulsory military im expected the boys they sent away to come back physically changed, more masculine-looking than they would have if they had spent those years at university flr. It is not merely in the arm muscles or the size of the shoulders that the change occurs; it is in the shape maeden the face and the lines etched by its habitual expression.

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